Ma-Yi and The Public present “TEENAGE DICK”!

From the Offices of Sam Rudy Media Relations:
Drama Desk and Obie Award-winning Ma-Yi Theater Company In Association with The Public Theater 
Ralph B. Peña, Producing Artistic Director, Ma-Yi Theater

photo by Carol Rosegg

A World Premiere play by Mike Lew 

Directed by two-time Tony Award nominee Moritz von Stuelpnagel

Previews June 12th, Opening June 20th, 2018, Benefit Night Performance, June 26th

Off-Broadway at The Public Theater

Hot off the success of the critically acclaimed KPOP last fall, Drama Desk and Obie Award-winning Ma-Yi Theater Company and The Public Theater announce TEENAGE DICK, a new play by Mike Lew (Tiger Style!), being given its world premiere Off-Broadway, June 12 – July 15, 2018, at The Public Theater, 425 Lafayette St.

Directed by two-time Tony Award-nominee Moritz von Stuelpnagel (Hand to God and Present Laughter), and choreographed by Jennifer Weber (KPOP), TEENAGE DICK is presented as a new fully realized production, having been developed by The Public Theater as part of its 2016 Public Studio Series.

TEENAGE DICK is a brilliantly hilarious take on Richard III, Shakespeare’s classic tale of power and lust. TEENAGE DICK reimagines the most famous disabled character of all time as a 16-year-old outsider in the deepest winter of his discontent: his junior year at Roseland High. Picked on because of his cerebral palsy (as well as his sometimes creepy Shakespearean way of speaking), Richard is determined to have his revenge and make his name by becoming president of the senior class. But as he manipulates and crushes the obstacles to his electoral success, Richard finds himself faced with a decision he never expected would be his to make: is it better to be loved or feared?


The cast features Gregg Mozgala (Cost of Living), Shannon DeVido (The Healing, Difficult People), Nick Dillenburg (Orange Is the New Black), Sasha Diamond (Significant Other), and Marinda Anderson (Bella: An American Tall Tale).

Additional design and creative credits for TEENAGE DICK are: Set Design – Wilson Chin, Costume Design – Junghyun Georgia Lee, Lighting Design – Miriam Crowe, Sound Design – Fabian Obispo, and Movement Coordination – Robert Westley. Alyssa K. Howard is Production Stage Manager.

TEENAGE DICK was commissioned and developed by The Apothetae (Gregg Mozgala, Artistic Director), a company dedicated to plays that explore and illuminate the “Disabled Experience.” It was further developed during a residency at the Eugene O’Neill Theater Center’s National Playwrights Conference in 2016 (Executive Director, Preston Whiteway and Wendy C. Goldberg, Artistic Director).  This current production by Ma-Yi Theater Company is part of The Lark’s Venturous Playwright Fellowship Program, funded by Venturous Theater Fund of the Tides Foundation.

Scheduled through July 15, 2018, TEENAGE DICK will begin performances June 12 and perform Tuesdays through Sundays at 7:30PM, with Saturday and Sunday matinees at 1:30PM.  Please note there is no performance on Saturday, June 16 at 1:30 or Thursday, June 21 or Wednesday, July 4 at 7:30PM; additionally, performances have been added on Monday, June 18 and July 2 at 7:30PM. Public Theater Partners and Members can access tickets on Thursday, March 22. Single tickets can be accessed on Thursday, March 29. For tickets and information: visit, or call 212.967.7555

Mobility limited seating and reduced ticket prices for the disabled community and designated companion are available.

Information is also available at


Ma-Yi Theater Company recently enjoyed great critical and wild success with its double-billed KPOP last fall by Jason Kim, in addition to Carlos Celdran’s LIVIN’ LA VIDA IMELDA, Hansol Jung’s AMONG THE DEAD, A. Rey Pamatmat’s HOUSE RULES, Nandita Shenoy’s WASHER/DRYER, Michi Barall’s PEER GYNT AND THE NORWEGIAN HAPA BAND, Han Ong’s CHAIRS AND A LONG TABLE, and Rehana Lew Mirza’s SOLDIER X. The company won the Off-Broadway Alliance Award for its critically acclaimed production of Lloyd Suh’s THE WONG KIDS IN THE SECRET OF THE SPACE CHUPACABRA GO!

Founded in 1989 and now celebrating its 27th season, MA-YI is a Drama Desk and Obie Award-winning, Off-Broadway not-for-profit organization whose primary mission is to develop and produce new and innovative plays by Asian American writers.

Since its founding, Ma-Yi has distinguished itself as one of the country’s leading incubators of new work shaping the national discourse about what it means to be Asian American today. Its numerous acclaimed productions include Mike Lew’s BIKE AMERICA and MICROCRISIS, Qui Nguyen’s THE INEXPLICABLE REDEMPTION OF AGENT G and SOUL SAMURAI (with Vampire Cowboys), Mike Lew’s MICROCRISIS and the revival of Ralph B. Peña’s FLIPZOIDS. Other productions include: RESCUE ME by Michi Barall, Lloyd Suh’s AMERICAN HWANGAP and THE CHILDREN OF VONDERLY and THE ROMANCE OF MAGNO RUBIO by Lonnie Carter. Through successful programs such as the Writers Lab, Ma-Yi emboldens a new generation of Asian American artists to voice their experiences, while developing a steady stream of quality new works by Asian American playwrights for its own performing repertory. New works developed at the Writers Lab have gone on to successful productions around the country, at such theaters as Victory Gardens, Laguna Playhouse, Long Wharf Theater, Woolly Mammoth, and the Actors Theater of Louisville, to name a few. Ma-Yi Theater Company productions have earned 10 Obie Awards, numerous Henry Hewes Award nominations, a Drama Desk nomination for Best Play and the Special Drama Desk Award for “more than two decades of excellence and for nurturing Asian-American voices in stylistically varied and engaging theater.”

Ma-Yi Theater is under the leadership of Producing Artistic Director Ralph B. Peña.


photo by Carol Rosegg


THE PUBLIC, under the leadership of Artistic Director Oskar Eustis and Executive Director Patrick Willingham, is theater of, by, and for the people. Artist-driven, radically inclusive, and fundamentally democratic, The Public continues the work of its visionary founder Joe Papp as a civic institution engaging, both on-stage and off, with some of the most important ideas and social issues of today. Conceived over 60 years ago as one of the nation’s first nonprofit theaters, The Public has long operated on the principles that theater is an essential cultural force and that art and culture belong to everyone. The Public’s wide breadth of programming includes an annual season of new work at its landmark home at Astor Place, Free Shakespeare in the Park at the Delacorte Theater in Central Park, The Mobile Unit touring throughout New York City’s five boroughs, Public Forum, Under the Radar, Public Studio, Public Works, Public Shakespeare Initiative, and Joe’s Pub.  Since premiering HAIR in 1967, The Public continues to create the canon of American Theater and is currently represented on Broadway by the Tony Award-winning musical Hamilton by Lin-Manuel Miranda.  Their programs and productions can also be seen regionally across the country and around the world. The Public has received 59 Tony Awards, 169 Obie Awards, 53 Drama Desk Awards, 54 Lortel Awards, 32 Outer Critic Circle Awards, 13 New York Drama Desk Awards, and 6 Pulitzer Prizes.




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Cherry Lane Theatre’s Mentor Project 2018 presents
By Lab Member, Sam Chanse March 28-April 7th.


Directed by Ed Sylvanus Iskandar, the cast of THE OPPORTUNITIES OF EXTINCTION featuresJennifer Lim (Broadway: Chinglish (Theater World Award, IASNY Trophy for Excellence & Drama Desk Nom), Dominic Rains (TV: “Agents of S.H.I.E.L.D.,” “General Hospital”) and Andrea Negrete (NYC: Hissifit). The company is made up of Jennifer Lim, Dominic Rains, and Andrea Negrete. The creative team includes Raul Abrego (scenic design), Loren Shaw (costume design), Seth Reiser (lighting design), and Lee Kinney (sound design).

2B33E906C-EDF6-5B8B-C077D0890C3F8FD5(© David Gordon)

Ma-Yi Joins Korean Cultural Center to present Jason Kim’s “Clarity”


In this special presentation with Ma-Yi Theatre Company, Korean Cultural Center New York hosts an evening with renowned playwright Jason Kim, featuring a reading his most recent work, CLARITY with a post-play discussion offering attendees the opportunity to speak with Jason and the cast and directors.

A light. A ball. An organ. When his sister resurfaces after a decade of silence, Danny must decide if he should put his faith in God or risk his life for family. A play about faith in contemporary life, Clarity examines what it means to deal with a higher power.

Korean Cultural Center New York and Ma-Yi Theatre Company present


By Jason Kim/Directed by Danny Sharron

FRIDAY, MARCH 23rd, 2018, at 7 pm

Location: Korean Cultural Center New York (460 Park Ave., 6th Fl., New York, NY)




Awards, Honors & Residencies: 2017-2018 A Banner Season for The Labbies

Ma-Yi Writers Lab Members are getting recognition and praise for their playwriting achievements and originality on a daily basis across the US. Here are a review of their top honors and acknowledgements over the past year or so:


File Jun 05, 2 34 55 PM

Mike Lew and Rehana Lew Mirza are the Mellow Resident Playwrights at Ma-Yi Theater Company. Shown in photo with their child in an article from Howlround about their career in playwrighting while parenting.

Goodspeed Johnny Mercer Writers Colony 2018 writing teams, included Ma-Yi Writers Lab Members, Rehana Lew Mirza and Mike Lew (Mellon Resident Playwrights of Ma-Yi Theater). A total of 38 established and emerging composers, lyricists, and librettists  converged on the Goodspeed campus from mid-January through mid-February 2018 to participate in the Johnny Mercer Foundation Writers Colony at Goodspeed Musicals.

Mike and Rehana’s play, BHANGIN’ IT was selected for Rhinebeck Writers Retreat’s Triple R program, which gives musical theatre writers 2 readings and a residency to do extensive development in a compressed time frame, culminating in a staged reading. The program was fully funded by Rhinebeck Writers Retreat and made possible through a grant from the New York State Council on the Arts

In February 2018, Mike was awarded the PEN/Laura Pels International Foundation for Theater Award for an Emerging American Playwright, a playwright with great talent and potential for lasting impact, “for his original voice, playful sense of provocation, and his body of works including Stockton, microcrisis, and Tiger Style!”

Summer of 2017, Mike was selected for the Creative Residency program at SPACE on Ryder Farm to develop new work on its 221-year-old working farm.

Rehana Lew Mirza was one of 11 writers selected, out of 3,600 submissions, to participate in the 2017 HBOAccess Writing Fellowship, which ran from July through February with a series of master classes after which each writer or team was paired with an executive mentor.


Ma-Yi Writers Lab PlaywrightMa-Yi Writers Lab Member

Audible announced its first round of commissions for playwrights, — 15 emerging theater writers including writers Lab Members Leah Nanako Winkler and Madhuri Shekar, were awarded grants to pen one- and two-person audio plays. The grants come from a $5 million fund set up by Audible. Playwrights have been given full creative control, and they’re encouraged to stay involved when the plays are cast and recorded. Women and people of color account for 73{90b55604c2f51a42db80c336c53641ecde92264ed9bc32dcca7023e91e09ed21} of the inaugural class.

In August 2017, Madhuri Shekar’s play, Queen, at Victory Gardens Theater, received the JEFF Awards for best new play in the Chicago. area.

Leah Winkler was awarded The Actor’s Fund and Playwrights Horizons annual Mark O’Donnell Prize which recognizes an emerging theatre artist, and comes with $25,000 and developmental support that includes one week to prepare a reading of a new work. The Lark awarded Leah The Jerome Fellowship for the years 2017-2019 for the purpose of providing assistance to her in the development of a new play and Leah is also a Time Warner Fellow at the Women’s Project Theater.


Hansol Jung

Labbie, Hansol Jung and her Wolf Play particpated in  2017/2018 At the Table- Artist Rep commissions for playwrights to start a new play, to finish one already begun or to revisit one that hasn’t yet been fully realized, for writers who have a truly distinctive voice and offer fresh perspectives on the human condition, and are committed to offering women, non-binary and transgender writers,  writers of color, and writers of work for young audiences a place at the table.


Cherry Lane Theatre chose Labbie Sam Chance as one of this year’s playwrights  for the 20th season of its MENTOR PROJECT, a program that partners an emerging author with a seasoned professional for a year of script work, rewrites, casting, rehearsals, and a full production. Sam’s The Opportunities of Extinction, will be running from March 28-April 7. Chanse will be mentored by NEA Fellow Migdalia Cruz.

The Lark  Line Up of Six Plays for 24th Annual Playwrights’ Week Open Access Program (selected from a pool of nearly 1,000 submissions) chose The Other Instinct by Sam Chanse. Other recent works developed in Playwrights’ Week include No More Sad Things by Hansol Jung presented  in October 2017 at Forward Flux Productions.

SPACE on Ryder Farm awarded Sam Chanse the opportuity to develop new work on its 221-year-old working farm this past summer in the Creative Residency program.



Labbie, Lauren Yee won the Kesselring Prize for Playwriting from the National Arts Club  has been named the winner of the $25,000 grant. Tony-winning M. Butterfly playwright David Henry Hwang presented at a ceremony at the historic clubhouse in New York City November 5, 2017.

Lauren is also named as a finalist  for her play, The Great Leap for the Susan Smith Blackburn Prize, an award considered the oldest and largest prize given exclusively to women playwrights.

Lewis Center for the Arts at Princeton announced the Hodder Fellows for 2018-2019, including Lauren Yee. The fellowship was created to provide artists and humanists in the early stages of their careers an opportunity to undertake significant new work. Her play King of the Yees won the Women’s 2016 Invitational at the Ashland New Play Festival, and is being produced by four regional theaters this season alone.

Lauren is also the The American Theatre Critics Association  ATCA/Francesca Primus Prize winner (for in a word) and received a $10,000 award check and was officially congratulated at the ATCA conference, and was a ATCA/Steinberg Award finalist (for in a word).

Leah Nanako Winkler, Susan Soon He Stanton, and Dipika Guha

Ma-Yi Writers Lab Playwrightsusanstanton-1Dipika-Guha1

Actors Theatre of Louisville presents The 42nd Humana Festival of New American Plays, Feb. 28-April 8, 2018, and will include three works by Ma-Yi Writers Lab Members. The Festival premieres works by Leah Nanako Winkler, Susan Soon He Stanton, and Dipika Guha. Ma-Yi offers congratulations and kudos to these ground-breaking playwrights as this event has proven itself to launch the careers of it’s participants. Hansol Jung’s CARDBOARD PIANO, was a standout at the festival the year before. Also, Kimber Lee‘s brownsville song (b-side for tray) premiered in 2014 at the Humana Festival.

This year Dipika Guha was also chosen as a National Residency and Commission Recipient of Playwrights’ Center’s 2017-18 McKnight Fellowship New Core Writers group.


Ma-Yi Lab Member

Our newest Ma-Yi Writers Lab member David Zheng, is a recipient of the 2018 Van Lier New Voices Fellowship. This year long residency is designed to support extraordinary playwrights of color under the age of 30, in order to help address the lack of inclusion of early career playwrights of color in the theater field and includes a cash award of $15,000, plus up to $3,000 in health insurance reimbursement, as well as access to a wide range of The Lark resources, including artistic program participation, office and rehearsal space, and staff support.

David Zheng is named as part of the 2018-19 Emerging Writers Group at the Public Theater along with seven others, out of 485 applicants including Labbie, Diana Oh!

David was awareded membership in  GTG’s SPEAKERS CORNER Named after the corner of London’s Hyde Park where George Bernard Shaw and other political speakers have delivered speeches since 1855. The organization brings together six to ten writers each year who will spend the year exploring a specific Shaw play and writing new work in response to that text.

David Zhang is also awarded a Playwriting Mentorship Residency with Space on Ryder Farms .



Labbie Mia Chung was chosen as one of The Playwrights’ Center 2017-18 Fellows (Jerome Fellows, Many Voices Fellow) receiving an $18,000 award, $2,000 for development of a play.

Nandita Shenoy and Mrinalini Kamath

Nandita Shenoymrinalinikamath

Nandita Shenoy and Mrinalini Kamath  participated in 1-week teaching residencies, 2-week developmental residencies, and/or month-long writing residencies at the Mellon Funded  the Ma-Yi Writers Lab/ Creative Fellowships Initiative, an interdisciplinary pilot project at the University of Washington exploring the nature of creative research. In 2017, UW hosted Labbies Kyoung Park and Deepa Purohit for teaching residencies and Dustin Chinn for a one-month writing  and research residency.


lauren-headshot-3Don NguyenDustin Chinn

American Conservatory Theater (A.C.T.) inaugural New Strands Residency program began this year with three playwrights/plays from Ma-Yi Theater Company including  The Great Leap by Lauren Yee, The Man from Saigon by Don Nguyen, and Snowflakes, or Rare White People by Dustin Chinn giving emerging and established American playwrights the opportunity to create and develop new works in residence at A.C.T.’s state-of-the-art Strand Theater in San Francisco.

The Playwrights Realm awarded Labbie Don Nguyen a place in its 2017-18 new residency series, and will present his world premiere of his play Hello, From The Children of Planet Earth this February.

Dustin Chinn received a summer residency with The Ground Floor: Berkeley Rep’s Center for the Creation and Development of New Work, Over an intense four-week period, residents share ideas, break bread, and create new plays.



The Lark and Venturous Theater Fund of the Tides Foundation awarded plays and playwrights selected for the pilot round of the Lark Venturous Playwright Fellowship program, including (Teenage Dick) Ma-Yi Resident Playwright and Writers Lab Co-director, Mike Lew; and (Today is My Birthday)  Susan Soon He Stanton providing concurrent residencies and advocating for their production by partner theaters and an award of $50,000 over two years, as well as a production subsidy grant of up to $50,000 to support a production of the play at a theater of the playwright’s choosing.

Susan Soon He Stanton was also one of five New York-based playwrights have been chosen as this year’s Rita Goldberg Playwrights’ Workshop Fellows by the Lark Theater Company. In addition, Susan was the 2017 winner of the eighth annual prize from Leah Ryan’s Fund for Emerging Women Writers for her play WE, THE INVISIBLES .

Diana Oh and Mashuq Mushtaq Deen

diana-oh-headshotMashuk Mushtaq Deen

In August 2017, Writer’s Lab Members Diana Oh and Mashuq Mushtaq Deen, via Rattlestick Playwrights Theater, were awarded The Tow Foundation 2017-2018 Tow Playwrights-in-Residence award which included a $75,000 grant to support the playwrights. The residency program includes a full-time salary for each playwright and funds to support their integration into the theater’s day-to-day operations, as well as a guaranteed full production of their play.

Diana’s {my lingerie play} 2017: 10 underground performance installations in lingerie was supported by the Venturous Theater Fund of Tides Foundation for 2017 and was “staged in an effort to provide a saner, safer, more courageous world for women, trans, queer, and non-binary humans to live in”

Deen also received a PAGE 73 Summer residency in 2017, and used his residency to collaborate on The Betterment Society with director Jessi Hill and composer Nell Shaw Cohen. Labbie, Mia Chung also was awarded a residency, used  hers to collaborate with director Ken Rus Schmoll on Catch As Catch Can.

Diana Oh is part of the 2018-19 Emerging Writers Group at the Public Theater along with seven others, out of 485 applicants!



Labbie Clarence Coo is one of ten recipients of the 2017 Whiting Awards and a whopping $50,000 cash prize. The Whiting Awards annually identify “exceptional new writers who have yet to make their mark in the literary culture” and aim to provide them with funds to afford “a first opportunity to devote themselves fully to writing.


Lab Member, Qui Nguyen and  American Conservatory Theater(A.C.T.) are recipients of NEA’s Art Works grant of $50,000 to  support the upcoming Bay Area premiere of Vietgone, playing at Strand Theater ( February 21-April 22, 2018.


Nine Ma-Yi Writer’s Lab Member’s new plays received a record 11 Kilroys this year. Each year, The Kilroys compiles a list of the most recommended un- and underproduced new plays by female and trans authors of color:

Cambodian Rock Band by Lauren Yee

The Great Leap by Lauren Yee

Yoga Play by Dipika Guha

Unreliable by Dipika Guha

We, the Invisibles by Susan Soon He Stanton

Queen by Madhuri Shekar

The Opportunities of Extinction by Sam Chans

Two Mile Hollow by Leah Nanako Winkler

To the Yellow House by Kimber Lee

Hatefuck by Rehana Lew Mirza

Nomad Motel by Carla Ching

KILROYS – Honorable Mentions:

The Other Instinct by Sam Chanse

The Shaking Earth by Mashuq Mushtag Deen

A People’s Guide to History In the Time of Here and Now by Rehana Lew Mirza

A Valentine by Deepa Purohit

Thirty-Six by Leah Nanako Winkler

A Deal by Zhu Yi

Writer’s Lab Member Plays Feb/Mar 2018 —Nationwide

The Ma-Yi Writers Lab is a primary incubator for new play productions by Asian American playwrights and consists of over 35 members. Here’s a sampling of “Labbie” plays coming up in the next few months in regional theaters across America, some of which were developed via the Ma-Yi writers Lab.

Hansol Jung:

Hansol Jung
Cardboard Piano
Jan 19 – Feb 18, 2018   SAINT PAUL

May 4-20, 2018 LONG BEACH

Is our capacity for love greater than violence? In Northern Uganda, the daughter of an American missionary and a local teenage girl steal into a candlelit church to exchange vows in a secret wedding ceremony. But when an escalating civil war encroaches on their fragile union, they cannot escape its reach. Confronting the cost of intolerance, this powerful drama examines violence, the struggle to rebuild, as well as the human capacity for love and forgiveness. Audience Advisory: This play contains gunshots, strong language and adult content.

Park Square begins the new year on the Andy Boss Thrust Stage with the Midwest premiere of Hansol Jung‘s timely drama Cardboard Piano. Signe V. Harriday directs the powerful play about romance and redemption against the backdrop of inexplicable violence. The Courier Journal called Cardboard Piano “deeply moving” and “haunting” upon its 2016 premiere at The Actors Theatre of Louisville’s Humana Festival of New Plays.  International City Theatre includes Hansol Jung’s Cardboard Piano in its upcoming season starting May 4, 2018.

Adelin Phelps and Kiara Jackson are in Park Square Theatre’s powerful “Cardboard Piano.”



Lloyd Suh:

Lloyd Suh Headshot
American Hwangap
Feb 1-25, 2018  SEATTLE

West of Lenin presents American Hwangap. written by Lloyd Suh and directed by AJ Epstein 

In American Hwangap, a stage play by Korean American Lloyd Suh, the birthday celebration runs bittersweet at best. Suh’s story focuses on Mik Suk Chun, a Korean native who raised a family in West Texas — until he ran away, without warning, to his native North Korean soil. He returns to the place he once called home, finding his ex-wife and now-adult children still angry, still hurt, and just maybe, still loving him. A whirlwind of confrontation and long-simmering feelings follow.


Jan9 – Feb 17, 2018  CHICAGO

Jackelope Theater presents Lloyd Suh’s Franklinland which examines Benjamin Franklin’s lesser-known invention: his only son. Directed by Chika Ike, the play centers on the younger Franklin’s coming-of-age story.



Lauren Yee

The Great Leap
February 2 – March 11, 2018  DENVER

March 28 SEATTLE

The Denver Center for the Performing Arts (DCPA) and Seattle Repertory Theatre co present the World Premiere production of  Lauren Yee’s The Great Leap, directed by Eric Ting.


When an American college basketball team travels to Beijing for an exhibition game in 1989, the drama on the court goes deeper than the strain between their countries. For two men with a past and one teen with a future, it’s a chance to stake their moment in history and claim personal victories off the scoreboard. American coach Saul grapples with his relevance to the sport, Chinese coach Wen Chang must decide his role in his rapidly-changing country and Chinese American player Manford seeks a lost connection. Tensions rise right up to the final buzzer as history collides with the action in the stadium. Yee’s unexpected and touching story is inspired by events in her own father’s life.

The World Premiere production will open at the DCPA Theatre Company in Denver on February 9, 2018, and then transfer to Seattle where it will open at Seattle Repertory Theatre on March 28, 2018. Atlantic Theatre’s 2017-2018 Off-Broadway season also includes The Great Leap by Lauren Yee at Atlantic Stage 2 from May 23 to June 17, 2018.

Cambodian Rock Band
March 4 – March 25, 2018  COSTA MESA, CA

Cambodian Rock Band, by Lauren Yee, music by Dengue Fever, directed by Chay Yew at JULIANNE ARGYROS STAGE March 4, 2018 – March 25, 2018
Part comedy, part mystery, part rock concert, this thrilling story toggles back and forth in time, as father and daughter face the music of the past. Neary, a young Cambodian American has found evidence that could finally put away the Khmer Rouge’s chief henchman. But her work is far from done. When Dad shows up unannounced—his first return to Cambodia since fleeing 30 years ago—it’s clear this isn’t just a pleasure trip.



Jiehae Park

Jiehae Park
Jan 18- Feb 11, 2018 SEATTLE

L-R: Corinne Magin (M) and Maile Wong (L). • Photo by John McLellan.

ArtsWest 2017-18 Peerless

By Jiehae Park, Directed by Sara Porkalob, produced by ARTSWEST.ORGAsian-American twin sisters M and L will do whatever it takes to win the one coveted affirmative action spot at “The College.” But when the thick acceptance envelope falls into the hands of D, a white male colleague who is 1/16th Native American, the sisters will stop at nothing to take back what is rightfully theirs – and eliminate anyone who stands in their way. Jiehae Park’s clever and incisive adaptation of Macbeth explores how the drive to succeed can become an all-consuming – and deadly – obsession.


Qui Nguyen

Jan 25- Feb 18, 2018 SAN DIEGO

Vietgone, by Qui Nguyen opened at the San Diego Repertory Theatre’s Lyceum Space in January, and is Directed by Jesca Prudencio. In Vietgone, playwright Qui tells the story of how his parents fled Saigon at the end of the Vietnam War and fell in love at a refugee camp in Arkansas. “For me it’s really important to just remind folks that refugees just aren’t numbers or a political pawn piece being moved around to win votes or lose votes or what have you. That they’re people. People who have lost a country, people who are just trying to have a life and fall in love and have a family and have the same struggles as anyone on this planet,” Nguyen said.



You for Me for You
March 4 – Apr 8, 2018 CHICAGO

Sideshow Theatre Company launches its eleventh season with the Chicago premiere of Mia Chung’s absurdly inventive smash-hit YOU FOR ME FOR YOU, directed by artistic associate Elly Green*, playing March 4 – April 8, 2018 at Victory Gardens.

Two North Korean sisters plan an elaborate escape from the “Best Nation in the World,” only to be separated at the border. Now in two strange and separate worlds filled with outrageous characters, they must navigate barriers of language and bureaucracy, reckon with the ways that culture and country can shape us, and discover that survival requires sacrifice. Playwright Mia Chung weaves myth and striking imagery into a deeply affecting and surprisingly funny adventure, portraying the endless lengths to which two sisters will go to find one another again.



February 2018, Labbie Plays in NYC

Looking for some Off-Broadway Drama this month?

Ma-Yi Lab Member plays are popping up all around The Big Apple in February including:



Don Nguyen’s play “Hello, From the Children of Planet Earth” by Playwrights Realm


Ma-Yi Writers Labbie, Don Nguyen’s Hello, From the Children of Planet Earth is a comedy about conception and deep-space travel. As partners Betsy and Shoshana try to have a baby, friends William and Freddy try to ensure Voyager 1 makes it to interstellar space. With careers on the line and life choices looming, when is the right time to go all in? Jade King Carroll directs this world premiere. “Hello..” will star Kaaron Briscoe, Dana Berger, Jeffrey Omura, Jon Hoche, and Olivia Oguma, at The Playwrights Realm Hello, From the Children of Planet Earth will be at The Duke on 42nd Street. The limited engagement is scheduled through March 24 with a March 7 opening night.

Don Nguyen

Don Nguyen

Split between the perspectives of lesbian couple Betsy (Briscoe) and Shoshana (Berger), who are trying to conceive, and their potential-sperm-donor/aerospace engineer friend William (Omura), Hello, From the Children of Planet Earth explores what happens when we face the vastness of our future and when dreams give way to realism.

Nguyen himself was asked by two friends to be a sperm donor, an experience that inspired the new work. “I had to take stock of my entire life and ask myself questions I didn’t think I was ready to ask. What I found is artificial insemination is not an easy thing—there are complications involved that you really have to discuss,” says the playwright.
The creative team for Hello, From the Children of Planet Earth is made up of Kimie Nishikawa (set designer), Nicole Pearce (lighting designer), Elisheba Ittoop (sound designer), and Ari Fulton (costume designer). Kara Kaufman is production stage manager, and Lily Perlmutter is assistant stage manager.
For tickets and more information visit


SAM CHANSE’s play TRIGGER in NEW YORK CITY by Leviathan Lab


Ron Domingo (far right) and the rest of the cast of “Trigger,” from left: Christina Pumariega, Susan Hyon, Anna Ishida. CONTRIBUTED The dramedy is about Lee, who must deal with a friend’s racist rant, a deteriorating domestic situation, ancient goddesses and house flies.

FRIDAY, FEBRUARY 23 – SUNDAY, MARCH 11: Leviathan Lab presents TRIGGER by Sam Chanse, directed by Flordelino Lagundino at IATI Theatre.
Sam Chanse

Sam Chanse


When Lee recognizes a childhood friend on a video of a racist rant that goes viral, Lee’s sister Grace urges her to reach out and try to reconnect. As Lee become uncomfortably reacquainted with her former friend, a deteriorating domestic situation and sudden crisis strengthen the storm of emotions brewing around her. In a time of heightened fear and anger, how can Lee connect with others, and contend with her own rage?
The play aims to ask theatergoers “How can we connect people in a time of heightened fear and anger?”The dramedy is about Lee, who must deal with a friend’s racist rant, a deteriorating domestic situation, ancient goddesses and house flies.



CLOSES Sunday, February 18
‘DRAW THE CIRCLE’ at Rattlestick Playwright’s Theater Company  opens on Feb. 2). Running in repertory with Dael Orlandersmith’s Until the FloodMashuq Mushtaq Deen’s piece is an autobiographical solo show with a twist. Deen the character never appears. Instead we get the point of view of the parents, friends and girlfriend of a young Muslim transitioning from female to male. Chay Yew directs this exploration of gender and identity.
Mashuq Mushtaq Deen (The Betterment Society, Resident Playwright at New Dramatists), is making his New York debut in the New York premiere of DRAW THE CIRCLE. The hilarious and moving story of his transition, the play is told entirely from the point of view of Deen’s family and friends, as portrayed by Deen, bringing to life the often-ignored struggle that a family goes through when their child transitions from one gender to another. TICKETS:

Labbie Mrinalini Kamath’s STUFF presented Feb 5 2018


Ma-Yi Writers Lab Member Mrinalini Kamath’s radio play, STUFF will be presented at Mission to (dit)Mars, a theatre arts collective serving Queens artists. This free reading will be performed on Monday, February 5th, 2018, at 7 pm at The Broom Tree Theatre located at 23-35 Broadway in Astoria, NY.   RESERVATIONS REQUIRED

Inspired by the NY Times article “The Lonely Death of George Bell,” STUFF tells the story of lives that intersect when a man dies alone in his cluttered apartment. A radio play about living alone in modern times. STUFF is directed by Colette Robert and live foley provided by Tony Vo.


The evening is presented by Mission to (dit)Mars co-founders Kari Bentley-Quinn,  Don Nguyen ( also a Ma-yi Writers Lab Member) Meredith Packer, and Laura Pestronk.

On the unique nature of the play format, Don Nguyen explains:

“We wanted to immerse the audience in the world of this play which is why we decided to bring in a live foley artist to add that extra dimension to the night’s performance. It’s a whole different set of challenges than what we’re used to, but we’re up for it.”

Spotlight on Labbie Leah Nanako Winkler


Leah Winkler’s TWO MILE HOLLOW at Theater Mu/Mixed Blood Minneapolis


Mixed Blood Theater of Minneapolis presents TWO MILE HOLLOW by Writers Lab member, Leah Nanako Winklea premiere co-production with Theatre Mu , Directed by Randy Reyes, beginning February 16 through  March 4, 2018.

Per the Chicago Tribune’s review of a late 2017 production, “Winkler’s blistering comedy takes a page from George C. Wolfe’s “The Last Mama-on-the-Couch Play” (a sketch in Wolfe’s 1986 comedy “The Colored Museum”), in which the long-suffering black matriarchs of African-American drama — specifically, “A Raisin in the Sun” — get sliced and diced to satiric effect. But arguably, Winkler’s targets, being stuffed with unexamined privilege and insufferable angst, deserve the dissection they get here far more than the black families immortalized by Lorraine Hansberry and those who followed her.”

“The beauty part of Winkler’s play is that all the characters are played by actors of color, sporting platinum-blonde wigs and silver-spoon cluelessness as the dysfunctional Donnellys, heirs to the legacy of deceased film legend Derek Donnelly!”

Ma-Yi Writers Lab Playwright

Leah Nanako Winkler

Leah was awarded First-Ever Mark O’Donnell Prize in late 2017 and the Lark announced that the Jerome Fellowship for the years 2017-2019 had been awarded to Leah for the purpose of providing assistance to her in the development of a new play. She is the recipient of the inaugural prize from The Actors Fund and Playwrights Horizons, and a 2016-2018 Time Warner Fellow.

Actors Theatre of Louisville 2018 Humana Festival includes Winkler and Two other Labbies:


In November of last year her play God Said This was announced as being part of the Actors Theatre of Louisville  42nd Humana Festival of New American Plays, Feb. 28-April 8, 2018, and will include works by two other  Ma-Yi Writers Lab Members Susan Soon He Stanton, and Dipika Guha. Ma-Yi offers congratulations and kudos to all three of these ground-breaking women playwrights:


New City Stage Review TWO MILE HOLLOW First Floor Theater at The Den Theatre, Milwaukee, WI

Interview with Twin Cities Reader

Photo Gallery Broadway World Chicago Production of TWO MILE HOLLOW

An article about Leah from Kentucky Tribune

More about Leah and the  Humana Festival 2018 : At The Humana Festival, The Plays Are Not the Only Thing

Lauren Yee’s Cambodian Rock Band Premieres West Coast


Lauren Yee

Ma-Yi Writers Lab Member Lauren Yee’s new play, Cambodian Rock Band with music by Dengue Fever and directed by Chay Yew begins at the JULIANNE ARGYROS STAGE
March 4, 2018 – March 25, 2018 at South Coast Repertory in Costa Mesa, CA.

Part comedy, part mystery, part rock concert, this thrilling story toggles back and forth in time, as father and daughter face the music of the past. Neary, a young Cambodian American has found evidence that could finally put away the Khmer Rouge’s chief henchman. But her work is far from done. When Dad shows up unannounced—his first return to Cambodia since fleeing 30 years ago—it’s clear this isn’t just a pleasure trip. 


This play is a recipient of an Edgerton Foundation New American Plays Award

Lab Member David Zheng awarded 2018 Van Lier New Voices Fellowship


Congratulations to our newest Ma-Yi Writers Lab member David Zheng, recipient of the 2018 Van Lier New Voices Fellowship along with Erika Dickerson-Despenza. This year long residency is designed to support extraordinary playwrights of color under the age of 30, in order to help address the lack of inclusion of early career playwrights of color in the theater field. The Fellowship includes a cash award of $15,000, plus up to $3,000 in health insurance reimbursement, as well as access to a wide range of The Lark resources, including artistic program participation, office and rehearsal space, and staff support.

Regarding the fellowship, Zheng says: “I can’t wait to start developing new work with the artistic guidance of such an amazing community of theater-makers. I look forward to challenging myself and creating conversations. And most of all, I am thrilled to have a space to grow – and to use this as an opportunity to build the bridge between where I come from and where I want to go.”

Zheng is a first-generation Chinese American Actor, Playwright, and Photographer from The Boogie Down Bronx. His plays include KINGSBRIDGE and Ghetto Baptism, which has received workshops and public sharing at The LAByrinth Theater Company, Cherry Lane Theater Company, and Rattlestick Playwrights Theater.  He is the recipient of the 2017 Playwriting Observer Fellowship at the LAByrinth Theater Company and the 2017 inaugural Greenhouse Residency at SPACE on Ryder Farm. He is a current member of the Gingold Theatrical Group’s Speakers’ Corner. David is a founding member of the Middle Voice at Rattlestick.


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